拡大画像 001 | ファンキー加藤 全国ツアー&1stアルバム「ONE」の発売が決定 | マイナビニュースhttp://news.mynavi.jp/photo/news/2014/08/22/344/images/001l.jpg

拡大画像 001 | ファンキー加藤 全国ツアー&1stアルバム「ONE」の発売が決定 | マイナビニュース

indieporn:


Teknari

 teknari

indieporn:

Teknari

 teknari

(hsmtから)

(元記事: uchihara-2014 (postfotoから))

bornbythesea:

via obsidiane

bornbythesea:

via obsidiane

(元記事: pmagazinedaily (hsmtから))

日本語の場合、「美しい」と「とても美しい」じゃ、
「美しい」のほうが、美しいんです。

ほぼ日刊イトイ新聞 - はじめてのドラッカー (via pootee) (via ak47, sa) (via dukkha) (via n13i) (via tra249) (via exposition) (via orekane) (via otsune) (via satorarepotenet)

ソシャゲの画面表示で「激レア!」とか出てるのを見ると、自分で自分のことを天然ボケと言い張る女を思い出す

Twitter / akasofa (via chptr22)

(hsmtから)

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

haydenphippsphotography:

They Came from Above. 2013. The series ‘They Came from Above’ is part social commentary and part 1950s sci-fi homage.  Each photograph was captured in a single frame at various locations around the Western Cape. By removing the support framework of existing everyday structures found on our horizons, I want people to stop and take note of the technology that now surrounds us. How much do we know about these objects on our horizon and if these structures were transported back in time would people perceive them as alien?

(theemitterから)

Transparent Machines on Behancehttp://www.behance.net/gallery/Transparent-Machines/11987377

Transparent Machines on Behance

cypulchre:

Tree of digital lifeby adoomer

cypulchre:

Tree of digital lifeby adoomer

(deathdolから)

(元記事: dazedgizer (deathdolから))